SOFTNESS (2023)
toni standard (2023)
To Separate Photography ... (2019)
quality of the materials (ongoing)
sun, waiting for flawless (2024), Project Arts Centre, Dublin, Ireland
Two person exhibition with artist Ronan Smyth, accompanied by a commissioned text by Francis Whorrall-Campbell and poster design by Cóilín O’Connell.
These works, which combine printed images with sculpture, feature a distinct photographic exploration that is juxtaposed with stark industrial materials, evoking feelings of both obsolescence and intimacy.
The work focuses on mechanical environments such as manufacturing sites, automobile factories, and domestic garages, which serve as sites of intrigue and re-imagining.
Curated by Rachel Botha. Documentation by Simon Mills. Find more information here.
Tower (2024)
industrial containers, inkjet print on satin photo paper 235gsm (300cm x 200cm) inkjet print on semi-gloss paper 251gsm (28cm x 21cm), thread, spring clips, polycarbonate sheet, tarpaulin sheet, hardware
ribbon screen (2024)
aluminum profile, polycarbonate sheet, inkjet prints on semigloss paper 251gsm (21cm x 15cm, and 36cm x 28cm), hardware.
Photo courtesy of Senija Topcic and Project Arts Centre
Detail of Symptom (2024) by Ronan Smyth
by Francis Whorrall-Campbell
Including the first three instalments of a serialised novella-in-progress, this publication presents the story so far, introducing us to the two protagonists – a trans influencer living in the year 2034, and a fictionalised version of Kurt Cobain in 1994 – as the pair travel in opposite directions across the USA, looking for the source of the paranormal phenomena disrupting their lives.
Published on on the occassion of the exhibition 'sun, waiting for flawless / an ghrian, ag feitheamh le foirfe'.
Poster Design by Cóilín O'Connell